Netsuke trace their roots all the way back to the 17^th century and near the end of the 19^th century became very popular in Europe. Netsuke actually served two purposes—functional and artistic. The literal translation of netsuke is “to attach the root”. The conventional Japanese kimono had no pockets in which to carry small essential items. These items were carried in containers called sagemono that were attached to two long double strings and pulled through the obi (the broad sash worn around the kimono).

 The containers may have been leather pouches, which typically would be used for tobacco; but the most popular was inro, small, beautifully designed boxes, with three or five compartments, mostly used to hold medicines. Occasionally, both of these containers would be carried together, suspended from the same netsuke, which is a fastener or toggle. This carved toggle had two small holes called himotoshi, through which the strings are threaded and would secure the container in place. Strung on a cord between the sagemono and the netsuke, was an ojime, or sliding bead, made to loosen and tighten the opening of the sagemono.

Netsuke could be crafted from a wide variety of materials, mostly from ivory and wood, but also from bone, tortoise shell, metal, horn and precious stones. Often, the material of the netsuke could be the indication of an individual’s social status within the community. Despite the small size of the netsuke, one to two inches, there is incredible detailing and workmanship. The Japanese will use fables, religion and everyday life experiences as their muse for these fascinating toggles.

This magnificent netsuke you see here is post 1940 and is one of several different types called the katabori, which is a fully-carved, three-dimensional, superior work of art. This stunning netsuke is made of alabaster stone, with two small himotoshi and is in great condition. A proud, menacing cobra, with its hood flared seems to be a favorite image for Japanese art forms. This is possibly an Asian cobra, whose hood is larger in size than the king cobra, is thinner and tan in color. The cobra faces forward and a large portion of its body is coiled in front of its head, where the scales and segments of the snake are in full view. The body of the cobra is wound around broken off bamboo shoots that are of a light green tint. The cobra’s piercing eyes seem to follow you, mesmerizing in its irresistible quality. The carver, or netsukeshi, has signed his work on the bottom. This breathtaking netsuke is of exceptional, meticulous craftsmanship that will make a captivating and delightful addition to your collection.